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Almost in Awe, Physicists Ponder 'Ultimate' Theory
By George Johnson, New York Times
Related Article
Diagram
But the subject of the latest enthusiasm is not called superstring theory anymore. Along the way, the name has changed to M theory, with the M standing for "magic," "mystery," "mother" (as in mother of all theories) or, more prosaically, "meta," "matrix" or "membrane." For the wiggling superstrings, which were at least vaguely possible to visualize, have been joined (and possibly supplanted) by even more abstract entities: membranes, or "branes," which come in as many as nine dimensions. All of creation, according to some recent speculation, may be concocted from these barely imaginable objects: God's Tinkertoys. If this realization is correct, then physics may be closer than ever to writing down the elusive theory of quantum gravity, a feat that would unify quantum mechanics and general relativity -- the two hitherto irreconcilable pillars of modern physics -- and explain all the forces of nature in the same terms. "People are going to look back on this as one of the most important periods in 20th century physics, as significant as the development of quantum mechanics and relativity," predicted Dr. John Schwarz, a physicist at the California Institute of Technology and an early pioneer of string theory. Enthusiastic pronouncements
from the string theorists themselves
are nothing new. But the excitement
is also leaking into other domains,
like cosmology.
One evening this past summer at
the annual superstring fiesta, Strings
'98, in Santa Barbara, Calif., some
200 physicists heralded the latest developments by dancing the Macarena, or, rather, a new version called
the Maldacena, named after a young
Argentine theorist, Dr. Juan Maldacena (pronounced mal-dah-SAY-nah) of Harvard University, whose
new theory is the source of the latest
excitement:
You start with the brane
As Dr. Jeffrey Harvey, a University of Chicago theorist, rapped out the
lyrics, one esoteric verse piling on
top of another, the physicists worked
their way through the 14 steps of the
dance.
What the message came down to
was this: Physicists have a very
successful framework called quantum field theory that describes three
of the four forces. The strong force
holds the atomic nucleus together;
the weak force governs radioactive
processes, and electromagnetism
combines electrical and magnetic effects. All three can be portrayed as
fields transmitted by particles called
quanta. For electromagnetism the
carriers are photons, for the strong
force gluons, and for the weak force
W and Z particles. But no one has
been able to fit gravity into the picture. It is assumed that the force
must be carried by particles called
gravitons, but getting these to obey
the laws of quantum field theory has
proved impossible.
Gravity can be described, however, by superstring theory, or M theory, using the completely different
vocabulary of strings and branes.
Maldacena's conjecture, elaborated in an explosion of more than a
hundred recent papers by superstring theorists, suggests the possibility
of a deep, hidden connection between
quantum field theory and string theory, these two seemingly immiscible
worldviews.
"This is a very dramatic claim,"
said Dr. Nathan Seiberg, a theorist at
the Institute for Advanced Study in
Princeton, N.J. In addition to bringing gravity and the other forces closer together, the tentative links Maldacena has found may provide a
powerful new calculational tool for
solving difficult problems in particle
physics.
The Origin
String theory first arose in the late
1960's and early 70's as an ill-fated
attempt to understand the strong
force. Parsing the world in terms of
particles and fields had already led
to a spectacularly successful theory
of electromagnetism, and the weak
nuclear force was on the verge of
succumbing to a similar explanation.
But the strong force seemed, at the
time, stubbornly resistant. Some
physicists were taking this as a sign
that field theory needed to be
scrapped and replaced with a whole
new vision. What emerged was the
possibility that particles were really
different notes produced by vibrating strings.
The potential payoffs seemed immense. One big problem of dealing
with the infinitesimally small particles of quantum field theory was that
they caused mathematical absurdities to pop up in the equations, the
equivalent of trying to divide a number by zero. The result was infinite
terms that rendered the calculations
nonsensical. The problem, which had
been solved for electromagnetism,
crippled attempts to explain the
strong force. If sizeless particles
were replaced by little strings, the
mavericks proposed, maybe the cancerous infinities would go away.
But there were many problems to
overcome. If one could believe the
equations, the strings would have to
be vibrating in a space of 25 dimensions (with a 26th representing
time). Where were the extra 22? The
equations also kept coughing up a
weird massless particle whose spin
(a quantum mechanical analogue of
rotation) was 2. The only such particle anyone knew about was the purely hypothetical graviton. If physicists ever succeeded in devising a
quantum field theory of gravity, the
graviton would be the carrier. But
what was it doing in a theory of the
strong force?
In any event, physicists soon succeeded in explaining the strong force
with a field theory called quantum
chromodynamics, or Q.C.D., and
most theorists turned their backs on
strings.
According to Q.C.D., elemental building blocks called quarks
come in three "colors" (somewhat
analogous to electrical charge). The
quarks are bound together by gluons,
the carriers of the strong force, to
form protons, neutrons and their subatomic kin. By the end of the 70's,
Q.C.D. had been incorporated into
the Standard Model, an amalgam of
quantum field theories describing
the strong force, the weak force and
electromagnetism. The most daring
theorists were trying for a "grand
unified theory" in which all three
forces were shown to be manifestations of a single superforce. But
gravity remained far out of the
game.
The Revolution
But not everyone gave up on
strings. In the mid-1970's, two physicists, Dr. Schwarz and Dr. Jöel
Scherk, tried to turn one of string
theory's flaws into a virtue: maybe
the persistent appearance of the
graviton in the equations was no accident. Maybe what they were looking at was not a model of the strong
force, but a model of gravity -- a new
way to formulate Einstein's general
theory of relativity. And if gravity
could be described by string theory,
then maybe the other forces could
also be reformulated this way. All
would then be unified into the same
package.
Around this time, string theorists
found they could pare the 26 space-time dimensions required by the
original theory to a mere 10. Along
the way, the theory came to be called
superstrings when it was endowed
with a hypothetical quality called
supersymmetry, in which the force-carrying particles like gluons and
the matter-making particles like
quarks are closely knit together.
Ten dimensions were still a lot to
swallow. And, in an embarrassment
of riches, it appeared that one could
potentially construct an infinite number of different 10-dimensional string
theories. How would physicists ever
know which one described this universe? A breakthrough came in the
mid-1980's when, in the first revolution, it was shown that of all possible
string theories, only five were mathematically sturdy; the rest would
come crashing down because of various inconsistencies. But this was still
four theories too many. Even worse,
there were still tens of thousands of
different ways to roll up the six extraneous dimensions to get the theories to describe a four-dimensional
world.
A small band of die-hards remained optimistic. Dr. Edward Witten, a rising young star of string
theory, romantically described it as
"a piece of 21st century physics that
fell by chance into the 20th century."
They kept quietly toiling away until the second revolution of the mid-90's. The many ways to hide the
extra dimensions were found to be
closely related. And the five 10-dimensional theories turned out to be
just different views of a single underlying 11-dimensional theory. All
could be connected by "dualities,"
mathematical lenses through which
the seemingly different turn out to be
the same.
"It reminds me of the story of the
blind people examining the elephant," said Seiberg, the theorist
at Princeton. "We used to look at
different pieces and did not see the
big picture."
In funneling the plenitude of theories into one, physicists realized that
their equations spoke of a world
made not just from strings but also
from membranous things called p-branes, with the p standing for the
number of dimensions. What is normally thought of as a membrane is a
two-dimensional surface, like a bedsheet, stretching across a three-dimensional space. This is now called a
2-brane. A point is a 0-brane, and a
line is a 1-brane. Extending the idea
in the other direction, one can have 3-branes, 4-branes, 5-branes, all the
way up to 9-branes: nine-dimensional surfaces flapping inside a 10-dimensional world.
Especially important to M theory
is a special type called a D-brane,
named for the 19th century mathematician Peter Dirichlet. In 1995,
Dr. Joseph Polchinsky of the University of California at Santa Barbara
showed that D-branes, which also
come in as many as nine dimensions,
described surfaces on which strings
can end. But these surfaces are more
than mere boundaries: D-branes are
now seen as entities at least as fundamental as strings. According to a
controversial version of M theory
called Matrix theory, D-branes may
be the fundamental objects from
which strings and everything else is
made.
Before long, physicists like Dr.
Strominger of Harvard were finding
that some of the puzzles about black
holes could be better understood if
they were thought of as being made
from D-branes. In fact, D-branes
themselves could be conceived of as
extremely tiny black holes. A string
came to an end because the rest of it
was sucked down one of these infinitesimal wells. A closed string,
shaped like a loop, became an open,
two-ended string when a chunk of it
was bitten off by a D-brane.
And D-branes are an essential part
of the choreography of the mathematical dance called the Maldacena,
in which string theory and field theory pirouette on the same floor. Dr.
Maldacena used D-branes to construct a quantum field theory similar
to Q.C.D., in the ordinary four dimensions.
He also used D-branes to build
a 10-dimensional string theory (with
5 of the dimensions curled up and
hidden away). By their nature string
theories include gravity. Thus the
excitement when Maldacena
showed that the two theories were
intimately related. The unification of
all four forces may now be a step
closer to realization.
The Universe
But the finding is still just a conjecture, lingering in the netherworld
between hunches and fully developed
theories. To get his model to work,
Maldacena had to pull some clever theoretical tricks. In Q.C.D.,
quarks come in three "colors."
Drawing on an idea from the Dutch
physicist Gerard 't Hooft, he simplified the calculations by using a toy
theory with many more colors.
And so far, the connection Maldacena found only works in something called anti-de Sitter space (after the Dutch astronomer Willem de
Sitter). An anti-de Sitter universe
would be "curved" in such a manner
that the expansion from the big bang
would gradually decelerate and collapse into a big crunch.
Recent evidence hints that in our own universe
the expansion may be eternally accelerating. But that is far from certain.
Taking into account these qualifications, the bottom line of the Maldacena conjecture is this: The curvature of the space-time described by
the string theory is equivalent to the
number of colors in the field theory;
more colors mean less curvature. An
unexpected bridge may have been
found between two different theoretical worlds.
Physicists are now trying to extend the work so it applies to more
realistic situations. Dr. Strominger,
for one, is betting that the relationship will be found to hold across the
board, showing that "string theory
and quantum field theory are just
two sides of the same coin."
"We're not at the bottom of it yet,"
he said. "We're all in a good mood
because we think there is a lot more
to be learned."
Maldacena's work also supports a hot new theory that the universe is holographic. In laser holography, a three-dimensional object is
projected onto a two-dimensional
plane, retaining the richness of the
original image. In the Maldacena
model, the four-dimensional field
theory can be thought of as a holographic projection of the five-dimensional string theory (remember that
the other five dimensions are rolled
up and tucked away). In a holographic universe, the information about
everything in a volume of space
would be displayed somehow on its
surface. The bizarre implications of
this notion are only beginning to unfold.
The Meaning
Maldacena concedes that his
conjecture is burdened with the criticism that applies to all of M theory:
that it cannot yet be tested by experiment.
"Up to now, all that has been done
is mostly from the conceptual point
of view," he said. "There are no
experimental predictions so far, but
hopefully there will be in the future.
We don't know whether that will happen soon or not. How far you can
extend a new method is a question
that is always hard to answer."
Some physicists still maintain that
for all the conceptual revolutions in
string theory, there is little to show
but a lot of beautiful mathematics.
"No observable physical phenomena have been explained," said Dr.'t
Hooft. "So it is tempting to be sarcastic about these developments."
And even M theory's enthusiasts
are baffled by what it all really
means.
"Before the second superstring
revolution, life was simple," said Dr.
Steven Giddings, a theorist at the
University of California at Santa
Barbara. "We believed that everything in the universe, quarks, photons, gravitons, electrons, and the
rest, were all made out of strings.
The recent upheaval has shattered
that view, and we've yet to find a
convincing logical structure to replace it."
Giddings continued: "We no
longer know what the fundamental
constituents of the theory are.
Strings and D-branes appear equally
fundamental, and it's not clear
whether either one of them is made
out of the other.
Perhaps they're all
made from something even more
fundamental. It's like climbing a
mountain to reach the top and discovering that it's just a foothill to a
more distant range. We've made an
enormous amount of progress in the
past few years, but now realize the
greater depth of our ignorance."
He was leaving that day, for a peak
in the Sierras, to do something he
considered easy: climbing a thousand-foot wall of vertical ice.
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